The 2 Speed Belly Dancer

Yes, I know you've seen it too. Too many times. Generally it's a symptom of an inexperienced dancer. What are the 2 speeds?  Fast and faster. 

So you're sitting in the audience at a belly dance event and you're watching one dancer after another. A belly dancer comes out on stage and frantically runs through the first part of her routine. Then the slow music comes up and what's supposed to be the slow sensuous part of the dance, the dancer instead moves faster than the music. Sometimes she whips out her veil and almost uses it as a weapon on the audience. Then the drum solo music comes up and she seems to be doing double time even on the fast music.  She ends her routine and runs off stage.  I often wonder if she falls over from exhaustion then drinks a gallon of water. Then you realize that you're exhausted from watching her too.

Well, there's a simple cure for the 2 speed dancer. 

1. Practice the routine a lot before performing it in public. This will give you confidence in the dance and slow you down. 

2. Breathe. Be sure you are breathing properly through out the routine. Don't be afraid to take a slow deep breath during the performance. 

I hope this cures all future 2 speed dancers. 

Suzy Evans

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The Complete Belly Dance Routine

If you took belly dance classes back in 60s and 70s you became familiar with what was called the complete belly dance routine. This was typically 7 parts although some dancers would cut it down to 5 parts. Routines could be 20 minutes or longer and I remember that you really had to build up your stamina to perform this long. If you were dancing to live music, you sometimes didn't know how long they were going to play and you just had to go with the whatever parts the musicians would play for you. I also recall a story from one of the Hollywood belly dance greats Marie Silva on how once and a while they would play a double set and she would have to perform for 30 to 40 minutes.  Heck, in my hay day I couldn't have performed that long! There was no costume change like some dancers do now, the cabaret dancer stayed on stage throughout the performance. 

Typically the parts of dance were as follows:

1. Medium to Fast Entrance: This is an intro or greeting of the audience. The belly dancer would be draped in one or sometimes multiple veils and keep them on through the introduction. Usually the dancer would show off your finger cymbals playing talent during the intro. 

2. Slow music either Chifi Telli or Rhumba: This is where the dancer would show off her veil work. At the end of music she discards her veil. 

3. Medium to Fast music: This part picks up the speed and energy of the dance. She continues to play finger cymbals. 

4. Taxseem, Chifi Telli, slow music: Floor work, sometimes sword work along with slow moves. This is one of my favorite parts of the dance. There is usually a solo instrument playing like a violin or flute. Beautiful time to improv your slow technique. 

5. Fast or medium music: Picking up the pace again. The belly dancer will sometimes work the audience for tips during this part of the routine smiling and playing finger cymbals. 

6. Fast: The drum solo. 

7. Finale - Medium/Fast tempo: The farewell to the audience. The finale tends to be short and sweet. She thanks the audience and the band (if there is one). 

These days belly dancers usually do 3 part routines; an intro, slow and drum solo. Sometimes if time is tight it's only a 1 part routine.

Here are some suggested DVDs that will help you with various parts of the routine. Click on the links below. 

Sultry Slow Moves with Sadie
Spins and Turns with Marguerite
Classic Cabaret Floor Work with Anaheed
Veil with Aziza
Smooth as Silk Veil with Katia

Drum Solo Set
Entrances and Exits with Dondi
Finger Cymbals with Ansuya

Ansuya
Photo by Keith Drosin

Keep it Short

"Always keep them wanting more."  
Far too often belly dancers performances are too long.  I can count on 1 hand the numbers of dancers that I can avidly watch for more than 10 minutes. Most belly dancers should keep their routines to no more than 7 minutes.  Even if you have been given a 10 or 15 minute spot on a program, that does not mean you should fill it. 


Some years ago I was offered a 15 minute performance spot.  I felt obligated to fill the entire 15 minutes.   That was a mistake.  Not only did the audience get bored during the performance, but I did too.  


Be sure to add variety, layers and changes of pace in the routine.  If you are newer to the dance, there is nothing wrong with doing a 4 or 5 minute piece.  You want to be comfortable in your routine.  


If you keep your dance short, your audience will want to see more, but don't give it to them, it may be stepping just over the line. Learn how to gauge the length of your performance. Better to dance 1 minute shorter than 1 minute too long and start losing the interest of your audience.    

Tamra Henna in Belly Dance Sensations

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