Showing posts with label belly dancer. Show all posts
Showing posts with label belly dancer. Show all posts

Monday, July 21, 2014

Midnight at the Oasis


Remember this song?  Some of you won’t or maybe you have heard the song many years since it was released in 1974.  Midnight at the Oasis was written by David Nichtern and sung by Maria Muldaur.  Some of were inspired by its lyrics, not to mention the song is simply beautiful.  Here are the lyrics of the song with a link at the bottom to the song itself.  Please enjoy! 

Midnight at the Oasis
Written by David Nichtern   Singer: Maria Muldaur  

Midnight at the oasis
Send your camel to bed
Shadows paintin' our faces
Traces of romance in our heads

Heaven's holdin' a half-moon
Shinin' just for us
Let's slip off to a sand dune
Real soon and kick up a little dust

Come on, Cactus is our friend
He'll point out the way
Come on, till the evenin' ends
Till the evenin' ends

You don't have to answer
There's no need to speak
I'll be your belly dancer
Prancer and you can be my sheik

I know your daddy's a sultan
A nomad known to all
With fifty girls to attend him, they all send him
Jump at his beck and call

But you won't need no harem, honey
When I'm by your side
And you won't need no camel, no no
When I take you for a ride

Come on, Cactus is our friend
He'll point out the way
Come on, till the evenin' ends
Till the evenin' ends

Midnight at the oasis
Send your camel to bed
Shadows paintin' our faces
Traces of romance in our heads

Oh, come on
Oh come on
Oh, yeah
Oh, yeah

Maria Muldaur


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Monday, March 4, 2013

The 2 Speed Belly Dancer

Yes, I know you've seen it too. Too many times. Generally it's a symptom of an inexperienced dancer. What are the 2 speeds?  Fast and faster. 

So you're sitting in the audience at a belly dance event and you're watching one dancer after another. A belly dancer comes out on stage and frantically runs through the first part of her routine. Then the slow music comes up and what's supposed to be the slow sensuous part of the dance, the dancer instead moves faster than the music. Sometimes she whips out her veil and almost uses it as a weapon on the audience. Then the drum solo music comes up and she seems to be doing double time even on the fast music.  She ends her routine and runs off stage.  I often wonder if she falls over from exhaustion then drinks a gallon of water. Then you realize that you're exhausted from watching her too.

Well, there's a simple cure for the 2 speed dancer. 

1. Practice the routine a lot before performing it in public. This will give you confidence in the dance and slow you down. 

2. Breathe. Be sure you are breathing properly through out the routine. Don't be afraid to take a slow deep breath during the performance. 

I hope this cures all future 2 speed dancers. 

Suzy Evans

Please support us and visit us at BellyDance.org



Monday, February 4, 2013

The Complete Belly Dance Routine

If you took belly dance classes back in 60s and 70s you became familiar with what was called the complete belly dance routine. This was typically 7 parts although some dancers would cut it down to 5 parts. Routines could be 20 minutes or longer and I remember that you really had to build up your stamina to perform this long. If you were dancing to live music, you sometimes didn't know how long they were going to play and you just had to go with the whatever parts the musicians would play for you. I also recall a story from one of the Hollywood belly dance greats Marie Silva on how once and a while they would play a double set and she would have to perform for 30 to 40 minutes.  Heck, in my hay day I couldn't have performed that long! There was no costume change like some dancers do now, the cabaret dancer stayed on stage throughout the performance. 

Typically the parts of dance were as follows:

1. Medium to Fast Entrance: This is an intro or greeting of the audience. The belly dancer would be draped in one or sometimes multiple veils and keep them on through the introduction. Usually the dancer would show off your finger cymbals playing talent during the intro. 

2. Slow music either Chifi Telli or Rhumba: This is where the dancer would show off her veil work. At the end of music she discards her veil. 

3. Medium to Fast music: This part picks up the speed and energy of the dance. She continues to play finger cymbals. 

4. Taxseem, Chifi Telli, slow music: Floor work, sometimes sword work along with slow moves. This is one of my favorite parts of the dance. There is usually a solo instrument playing like a violin or flute. Beautiful time to improv your slow technique. 

5. Fast or medium music: Picking up the pace again. The belly dancer will sometimes work the audience for tips during this part of the routine smiling and playing finger cymbals. 

6. Fast: The drum solo. 

7. Finale - Medium/Fast tempo: The farewell to the audience. The finale tends to be short and sweet. She thanks the audience and the band (if there is one). 

These days belly dancers usually do 3 part routines; an intro, slow and drum solo. Sometimes if time is tight it's only a 1 part routine.

Here are some suggested DVDs that will help you with various parts of the routine. Click on the links below. 

Sultry Slow Moves with Sadie
Spins and Turns with Marguerite
Classic Cabaret Floor Work with Anaheed
Veil with Aziza
Smooth as Silk Veil with Katia
Drum Solo Set
Entrances and Exits with Dondi
Finger Cymbals with Ansuya


Ansuya
Photo by Keith Drosin


Monday, July 2, 2012

Ultimate Belly Dancer Combination DVDs

Ultimate Belly Dance Combinations is a 5 DVD series - almost like a mini-series! 
During a conversation with a friend,  this unique concept and came to me. I had previously produced a couple of combination videos with Ansuya and Ava Fleming. Seeing how popular they were, why not have multiple instructors teach combinations on a single DVD?  And why not make it a series? This would give students of belly dance a good variety of styles of combinations from different teachers.  Some of these teachers had not previously taught on video before, so many students would be exposed to new teachers; an instructor they may have not been familiar with and would not normally would get a chance to take a class from. I called them Ultimate Combinations because... they were!   The first 2 volumes were shot and edited.  The teachers included Sadie, Ava Fleming, Aziza, Amaya, Fahtiem, Artemis, Celeste, Anaheed and Amara. These 2 videos were quickly best sellers.  About 2 years later I added three more volumes with a new mix of dancers: Paulina, Zahra Zuhair, Katia, Aradia, Dondi, Ava Fleming, Celete, and Jamileh. These 3 new DVDs included new styles including some Turkish and some of that classic old-timey 1970s belly dance. Will there be more Ultimate Combinations?  Maybe... we'll see.  In the meantime, if you don't have these DVDs, please consider adding them to your collection.  Here's some links to the DVDs:



Wednesday, February 15, 2012

In the Beginning: Belly Dance Posture


What’s the first thing you should learn in a belly dance class?  Posture. Why is posture so important?  It is the very foundation of the dance.  ALL movements emanate from your posture. You cannot be a great belly dancer without it.  As a matter of fact, you cannot even be a competent dancer without it.

Basically, proper belly dance posture is this - starting from the top:
Head and neck directly over your torso, shoulders slightly back, chest/sternum slightly lifted, your legs should be directly under your hips and aligned with your torso, a soft bend in your knees, feet pointing forward.  You should practice this so much that you feel relaxed and comfortable in this position.

Here are some examples of problems that occur when you do not have good belly dance posture.

Neck: I have seen dancer’s with their head thrust out past her body.  This isn’t a problem with the head; it’s the dancer’s neck.  Be sure your neck is alignment with your body. You many have to practice pushing your neck back over your body. 

Lifted Sternum/Shoulders:  A dancer who is not standing with their shoulders back and with a sunken sternum will have no energy in her dance. This is such a small thing that you can fix and will make a huge difference in your stage presence. Keep your shoulders back and your sternum lifted and your audience’s eye will be riveted on you.  It will give you energy and make you more confident.

Legs:  I attended a show some years ago and there was an experienced dancer who we had not seen before; we were told she was supposed to be the bees knees in belly dance.  Within seconds I realized there was something very wrong with her dancing. It was off and awkward and you just felt uncomfortable watching her, like when you see someone wearing improperly fitting clothes.  In less than a minute, I knew what was wrong.  I stood up from my chair just enough to see her feet and legs.  Her legs were too far apart and she was also dancing flat-footed with her feet were turned out.  A friend of mine said you could drive a tricycle through her legs. :)  Dancers who do dance with their legs too far apart have movements that are rough looking and out of control.  You can also physically hurt yourself.

Your legs need to be under you when dancing just as you do when you are walking.  If not you are off balance.  Your torso needs your legs under you. In the above example the belly dancer’s performance looked awkward because basically she was off balance and had little control of her body or dance.  Good posture will give you control and balance over your body.

There are just a few exceptions to this rule, like a wide hip circle, however dancers that do wide hip circles also pull their legs back in when they have finished the movement.

Have you ever seen a skeletal chart at a doctor’s office?  Take a good look at it.
Look at the alignment of the body. Notice that the legs are aligned with the torso.
You must always have a slight bend or what I like to call a “softness” in the knees. Don’t ever lock your knees. Bending your knees will prevent you from injuring your knees.

Feet:  Your feet are your connection to the earth.  In many cases your feet are the beginning point of your dance. 

No matter what level of dance you are currently at, please review your posture. Before you start a lesson, take a minute and put yourself in that good posture.

At IAMED, we feel so strongly about proper belly dance posture, many of our instructional videos start with a review of posture.

Good posture will give your dance the following:
Your dance will be balanced, centered and therefore graceful.
You will be able to build technique and movements.
You will become the belly dancer you always wanted to be!

Suzy Evans
BellyDance.org
Please support us and visit our on-line store

Now this is good posture!
Please share this blog post with your belly dance friends. 


Sunday, November 27, 2011

Turkish Belly Dance

If you took belly dance classes many decades ago you may have taken the classes from a Turkish dancer. Turkish belly dance is the foundation of what we call American Cabaret belly dance. From the costuming to playing zills and the dance itself, it is quite Turkish. If you were a belly dancer in the 1960s and 1970s, that is the style you danced.

Starting sometime in the 1980s the Egyptian style started becoming popular.  By the 1990s both Egyptian and Tribal had become popular.  As a result the Turkish style/American Cabaret became less popular, with fewer dancers learning the style.  I believe that some just thought it was outdated and some belly dancers evolved into the Egyptian style.

We are starting to see a new interest in this style of dance, and I am so glad that we are.

Two of the finest dancers in the field of Turkish dance are Eva Cernik and Elizabeth Artemis Mourat. If they are teaching anywhere in your area, you would greatly benefit from classes from them.  Or invite one of them to teach a workshop in your area.

Eva Cernik
The Second Awards of Belly Dance
Eva and Artemis are both featured in some of our performance DVDs and Artemis teaches Turkish Style belly dance.

Suzy Evans
BellyDance.org

Wednesday, November 9, 2011

The Complete Look of a Belly Dancer

Let's examine the elements of the complete look of a belly dancer.

1. A good costume. That doesn't mean it has to be new or top of the line, just make sure it looks good.  Not frayed or cheap looking.  You can find inexpensive costumes that don't look like they cost $5.

2. Hair.  Brush it, style it, curl it, add extensions, do whatever you have to do to have totally rockin' hair!  Look in the mirror and make sure it looks good, front, back and sides.  No bank teller hair.  It's a pet peeve of mine.  A belly dancer will be wearing a $1000 costume and have bank teller hair; this is not what your audience thinks of when they think of a pro belly dancer.  Your bank teller hair is for,,, well working at a bank.

3. Makeup.  Not too much not too little. Learn what looks best on you. What looks good on someone else does not mean it looks good on you. Go to a makeup artist and have them show you how to apply and what colors look good on you. It may take you some time to master your makeup.  And yes, its another pet peeve of mine that you'll see a dancer with no makeup or way too little makeup.

4. Attitude. Have a great, positive attitude at all your gigs. Always remember you are a professional and a shining example of belly dance.  As a matter of fact it is your responsibility, as you may have people in your audience that will be seeing a belly dancer for the first time.

Suzy Evans
BellyDance.org
Vasha Hatal
Now this girl has got the complete look of a belly dancer down!

Thursday, October 27, 2011

Belly Dance Performance Videos for Inspiration

A recent conversation with a belly dancer made me think of this.  Sometimes when we have been belly dancing for a year or more, you can get bored with your own performances.  You feel like you are doing the same moves over and over and in the same way.  Sometimes we just need to be inspired. Periodically watching professional belly dancers can be the shot in the arm that you need. Watching them can give you ideas to add to your dance.  If there's a showcase or show, go and see it.  Getting out a performance DVD that you haven't watched in a long time and viewing it again will inspire you.  Buying a new belly dance DVD and asking other dancer friends to come over one evening is another idea.  You can bounce ideas off each other.
Be inspired!

Visit our Belly Dancing Performance Video Section.

Suzy Evans
BellyDance.org