Showing posts with label belly dance. Show all posts
Showing posts with label belly dance. Show all posts

Monday, May 12, 2014

Is it Belly Dance or Bellydance?


Although I am not 100% sure the exact date when it happened or in what context; I do believe I have a good idea who, what and why some in the belly dance community started spelling and referring to belly dance as “bellydance” – one word.

I don’t see spelling “belly dance” as one word as anything negative at all and view it as just a personal preference for some dancers.  I do however prefer - as most other dancers and the public at large do - to spell it as two words.

I believe this trend started as a positive attempt to gain more legitimacy for our art form. It was in the early to mid 1990s when some started using the one word term. The first time I remember seeing “belly dance” spelled as “bellydance” was Atea’s instructional videos.  Even in the 1990s we were still dealing with negative stereotypes left over from the 1970s. Everyone who belly danced in the 1970s remembers how we fought hard against being referred to as strippers or just a small step above.  None of us wanted to be automatically tied in with strippers or worse.  Hey! We were serious about our dancing! 

Although most of us would have preferred a more dignified term for our dance such as Raks Sharki or the more generic term “Middle Eastern Dance”, it is the term “belly dance” that stuck in minds of the public and it became clear that it was an exercise in futility to educate the public at large otherwise.  (See also a related article "Naming the Dance")

In the early years of IAMED I also adopted the spelling as “bellydance”.  The flyers for the awards shows as well as the original VHS covers were “The First Awards of Bellydance”, etc. 

By the early 2000s, I changed to “belly dance” in main part because the general public rarely spelled it any other way. So, yes – I embraced “belly dance”. 
The other reason I went to the 2 word spelling was that I started noticing dancers also using the terms: “bellydancer” and “bellydancing”.  I have no objection to dancers doing this, but frankly I think the words “bellydancing” and “bellydancer” just looks odd. 

In the end no matter how you shake it (pun intended) it just matters that you dance.

Please leave me comments and thoughts on this subject.  I’d like to know your thoughts and opinions. 

Hadia in the 4th
Awards of Belly Dance
Please pay us a visit at BellyDance.org

Monday, March 31, 2014

MECDA 1977 – 2014 The End of an Era


It is the end of an era for the local organization in Los Angeles known as MECDA – The Middle Eastern Culture and Dance Association has closed its doors – so to speak – as of April 1, 2014.

I was there when the organization was formed back in 1977. 
(Scroll to bottom to view an application form circa 1978)  
I don’t know that it was the first belly dance organization, but it was one of the first. The original name of the club – and the one most of us preferred - was Middle Eastern Cabaret Dancers Association. It was formed originally as a union for working dancers.  I remember well the belly dancers such as Feiruz picketing with signs in hand outside nightclubs in Hollywood. The membership at the beginning was limited to working nightclub dancers, but that soon changed and membership was open to all.

Quickly the club started to present workshops and the festival, later known as Cairo Carnival.  Every year we looked forward to hanging out with our belly dancer friends, performing and shopping at our own local festival here in L.A.

The other great benefit from MECDA was the Cymbal magazine and the monthly Happenings. The Happenings kept us informed of any workshops and events for that month.

As the organization grew, it started local chapters.  I belonged to one of the first ones: The High Desert Chapter.  I never did live in the high desert, (I lived in the San Fernando Valley) but the dancer who ran it – Sue Turner - was looking for members and I guess she considered the San Fernando Valley was close enough. Soon I was a board member for the chapter and I attended the monthly board meetings for years. We sometimes had a booth at Cairo Carnival.

I became much less active in MECDA when I formed IAMED in 1996, as that took up all my time, spare and otherwise.  I was there as a regular vendor at Cairo Carnival starting in 1997 promoting all things IAMED. 

About 5-6 years ago I sat down with some of the board members of MECDA. It had been more than a decade since I had attended one of their meetings. I can’t remember if I was invited or I just invited myself to the meeting.  At that time they were looking at folding it up.  They were experiencing some problems including the fact that some board members were burnt out after volunteering much of their spare time for many, many years to MECDA.  They were short on quality people who wanted to keep it going.  I can’t remember some of the other issues, but I went to the meeting to help with solutions so that MECDA would continue to function and hold events, etc.

Well, it did keep going, as least for several more years, but the problems unfortunately multiplied, mainly mismanagement by a new leader.
(They should have listened to me.)

For me personally, I think it will take me a couple of years to believe that MECDA is gone. It was big part of my life for decades.  I find the demise of MECDA incredibly sad. I do have my pictures and memories of the good times. I only hope in the coming years a new and exciting version of MECDA will form in Los Angeles.

And don’t worry about IAMED.  As long as I’m still breathing we’ll be here annoying you for years to come.

Suzy Evans       BellyDance.org

 *****

You can view the final MECDA letter by going to www.mecda.org
Or just read it here below:

Dear Dancers and MECDA Supporters,
This is a really hard letter to write, but we believe we owe it to you to be as transparent as possible about MECDA, an organization you have long supported. As an organization that was founded in the 1970s, it has had a storied history promoting and sharing Middle Eastern dance culture for over four decades. MECDA has touched and inspired many of us to start dancing and performing.

In 2013, MECDA underwent a massive leadership shift in a strong attempt to reinvigorate the organization. Previous long­running financial mismanagement, poor organizational leadership and lack of adherence to norms of nonprofit management led to a perfect storm: MECDA had become a nonprofit organization serving a dance community that had long lost its faith in it.

It is a body blow that few nonprofits can recover from, even though the newly constituted Central Board, a small, committed group of people, worked long hours putting their time, energy and financial health on the line to bring MECDA back from the brink.

But sometimes when something is broken, it is really broken and can’t be fixed. The new Board has tried over the past twelve months to right wrongs, pay people back, develop better financial and business organization, rebuild our online community and plan a better Cairo Caravan. However, in December, MECDA was notified by the IRS that due to a lack of tax filings since 2010, MECDA had lost its tax­exempt—and therefore nonprofit—status. We stared into the abyss and it stared back.

We realized it would take $20,000 MECDA didn’t have to run Cairo Caravan with no guarantee that we would break even this year whilst working through a heavy backlog of debts accumulated under the previous leadership. In a constrained economic climate, dance festival attendance is dropping across the board. MECDA membership has been dropping precipitously in recent years, and the hollowed out membership base has made the organization’s position untenable.

We knew a year ago that Cairo Caravan would be the event that would either herald a new start for MECDA or the moment where we re­evaluated MECDA’s continued existence. As the Central Board, we have to do what is most responsible for the organization and for the community. Therefore, we are canceling Cairo Caravan and are folding MECDA, effective April 1, 2014.

MECDA may not have been well managed in the past few years, but we are determined to wind it down in the most responsible way we can. With the cash we have on hand, we will pay back people who invested Cairo Caravan most heavily, starting with workshop ticket holders and gala ticket holders, instructors and vendors. The details of how we will rectify the financial picture will be communicated individually. MECDA Chapters will be responsible for disbursing what is remaining in their local coffers in a locally appropriate manner, whether it is donating to a local good cause, reinvesting it into a community event, or paying off any remaining debts. We are doing this because you deserved better, whether you were a MECDA member, previous festival attendee, or a member of the dance community. You deserve a Middle Eastern dance nonprofit organization that was as relevant and meaningful to you in 2014 as MECDA was in 1977, and you deserve nonprofit leadership that is accountable and responsive.

If you have questions, please contact president@mecda.org and the entire Central Board will read and discuss your concerns and may be addressed publicly.
We know that this is a difficult time for all of us, but we appreciate your patience and consideration as we try to set things as right as we wind down MECDA.

See you on the horizon, Rom, Tim, Barbara and Rosa

MECDA Application Form

MECDA Application Form

Monday, October 28, 2013

Brain-ella - The Belly Dancing Brain


Brain-ella – The Belly Dancing Brain

Recently I was reminded of one of the times I was the MC for a belly dance event. During the 1990s I was the MC for a monthly showcase in Studio City at The Marrakesh restaurant and sometimes would MC other events.

I unexpectedly ran into Anisa earlier this month at a non-belly dance show in North Hollywood.  Anisa produces the dinner show King Tut Returns every October. This year marks her 18th anniversary of the show. Incredible!  Time flies by too fast.

I was the MC for the show the first couple of years. The first year I MCed as Elvis and second year I was myself except that the show started off with my friend Brain-ella.  Yes, Brain-ella.  She was yet another of my crazy creations, this one especially for Halloween.

I found a high quality rubber-like brain at a store - not one of those cheap plastic kind of brains. Since brains are brains and have no limbs or a torso; the only way I could give her a belly dance costume was wrapping a silver sequins belt around her middle. I then sat her on a stool on the stage.

The script for the show is either lost or stuck in a box in storage somewhere but basically it went like this:

“Hello, I am Brain-ella; the belly dancing brain. Yes, I know I don’t have legs and arms to dance, but I do have great rhythm, I can even shimmy if I try real hard.  Don’t you love my costume?  I designed it myself.

Brain-ella is not my real name. It’s my dance name. We belly dancers always have a dance name. I did consider other dance names such as:  Sarah-Bellum, Thala-mus, and my favorite: Medulla Oblongata.  
Please do enjoy the show.”

I bet the belly dancers that happen to also be brain surgeons reading this are just doubled over in laughter right now.

Unfortunately I don’t think I have any pictures of Brain-ella, but I do have some great memories.  Have a great Halloween! 

Brain-ella looked something like this, but more awesome...with a very nice sequin belt.



Please pay us a visit at BellyDance.org

Monday, July 15, 2013

Mata Hari - Dancer and Spy


Most of us have seen those wonderful vintage postcards with Mata Hari's photograph on them, but most of us know little about her. I recently decided to do some research on her and found that there was a great deal more to her than what she became most known for and that was being a spy.



Her real name was Margaretha Geertruida Zelle and she was born in the Netherlands on August 7, 1876. When she was 18 she answered and ad in a Dutch newspaper placed by Dutch Colonial Army Captain Rudolf MacLeod who was looking for a wife. At the time he was living in Dutch East Indies - which is now Indonesia. They married in 1895. Her new husband was twenty years her senior. They had two children Norman-John MacLeod and Louise Jeanne MacLeod.

Their marriage was a disaster for Margaretha. Her husband was an alcoholic and he took out his frustrations on his wife plus he had a concubine. Margaretha moved out and moved in with another Dutch officer. She became interested in Indonesian traditions, began studying dance and joined a dance company.

In 1897 she officially adopted the name Mara Hari - meaning "Sun" in Indonesian. She and her husband divorced in 1907. Sadly, both of her children died young - both from complications of syphilis that they contracted from their parents. 

Margaretha moved to Paris in 1903.  Before Mata Hari rose to fame as an exotic dancer she performed as a circus horse rider and an artist's model. By 1905, Mata Hari started her rise to fame as an exotic dancer. She was a contemporary of dancers Isadora Duncan and Ruth St. Denis, leaders in the early modern dance movement.  

Mata Hari was promiscuous, flirtatious and she openly flaunted her body. She captivated audiences and was an overnight success. She became the mistress of millionaire industrialist Emile Etienne Guimet. She was photographed numerous times during this period, nude or nearly so and that is why there are so many vintage postcards of her. Mata Hari brought this carefree provocative style to the stage in her act, which garnered wide acclaim.

The most celebrated segment of her act was her progressive shedding of clothing until she wore just a jeweled bra and some ornaments upon her arms and head. She was seldom seen without a bra as she was self-conscious about being small breasted. She wore a skin colored body stocking for her performances. 

Although Mata Hari's claims about her origins were fictitious, it was very common for entertainers of her era to invent colorful stories about their origins as part of the show. Her act was spectacularly successful because it elevated exotic dance to a more respectable status, and so broke new ground in a style of entertainment for which Paris was later to become world famous.

Her style and her free willed attitude made her a very popular woman, as did her eagerness to perform in exotic and revealing clothing. She posed for provocative photos and mingled in wealthy circles. At the time, as most Europeans were unfamiliar with the Dutch East Indies and thus thought of Mata Hari as exotic, it was assumed her claims were genuine. As with anything that becomes popular; by about 1910, a myriad of imitators had arisen. Critics began to opine that the success and dazzling features of the popular Mata Hari were due to cheap exhibitionism and lacked artistic merit.

Although she continued to schedule important social events throughout Europe, she was held in disdain by serious cultural institutions as a dancer who did not know how to dance. Mata Hari's career started to decline after 1912. She performed her final show on March 13, 1915. This proved to be the end of her dancing career. She'd started her career relatively late for a dancer, and had started putting on weight. However, by this time she had become a successful courtesan.

She had relationships with high-ranking military officers and politicians in influential positions in many countries. Prior to World War I she was generally viewed as an artist and a free-spirited bohemian, but as war approached, she began to be seen by some as a wanton and promiscuous woman, and perhaps a dangerous seductress. During World War I, the Netherlands remained neutral. As a Dutch subject, Margaretha Zelle was thus able to cross national borders freely. To avoid the battlefields, she travelled between France and the Netherlands via Spain and Britain, and her movements inevitably attracted attention.

In 1916, she was travelling by steamer from Spain when her ship called at the English port of Falmouth. There she was arrested and brought to London where she was interrogated at length by Sir Basil Thomson, Assistant Commissioner at New Scotland Yard in charge of counter-espionage. He gave an account of this in his 1922 book, saying that she eventually admitted to working for French Intelligence. Initially detained in Cannon Street police station, she was then released and stayed at the Savoy. It is unclear if she lied on this occasion, believing the story made her sound more intriguing, or if French authorities were using her in such a way, but would not acknowledge her due to the embarrassment and international backlash it could cause.

In January 1917, the German military attaché in Madrid transmitted radio messages to Berlin describing the helpful activities of a German spy, code-named H-21. French intelligence agents intercepted the messages and, from the information it contained, identified H-21 as Mata Hari. The messages were in a code that some claimed that German intelligence knew had already been broken by the French (in fact it had been broken not by the French, but by the British "Room 40" team), leaving some to claim that the messages were contrived.

However, this same code, which the Germans were convinced was unbreakable was used to transmit the Zimmerman Telegram; its unintended interception some weeks later precipitated the United States' entry into the war against Germany.

Mata Hari was arrested in her room on 13 February 1917 at the Hotel Elysee Palace, on the Champs Elysee in Paris. She was put on trial on July 24, accused of spying for Germany and consequently causing the deaths of at least 50,000 soldiers. Although the French and British intelligence suspected her of spying for Germany, neither could produce definite evidence against her. Secret ink was found in her room, which was incriminating evidence in that period. She contended that it was part of her make-up. 

She wrote several letters to the Dutch Consul in Paris, claiming her innocence. "My international connections are due of my work as a dancer, nothing else. Because I really did not spy, it is terrible that I cannot defend myself."  Her defense attorney faced impossible odds; he could not cross-examine the prosecution's witnesses or directly question his own witnesses. Under the circumstances, her conviction was a foregone conclusion. She was executed by firing squad on 15 October 1917, at the age of 41.  Was she really a spy? In the 1970s German documents were unsealed that proved that Mata Hari was truly a German agent.

In the autumn of 1915, she entered German service, and on orders of section III B-Chief Walter Nicolai, she was instructed about her duties by Major Roepell during a stay in Cologne. Her reports were to be sent to the War News Post West in Düsseldorf under Roepell as well as to the Agent mission in the German embassy in Madrid under Major Arnold Kalle, with her direct handler being Captain Hoffmann, who also gave her the code name H-21.In December 1916, the French Second Bureau of the French War Ministry let Mata Hari obtain the names of six Belgian agents: five of whom were suspected of submitting fake material and working for the Germans, while the sixth was suspected to be a double agent for Germany and France. Two weeks after Mata Hari had left Paris for a trip to Madrid, the double agent was executed by the Germans, while the five others continued their operations. This development served as proof to the Second Bureau that the names of the six spies had been communicated by Mata Hari to the Germans.

Mata Hari went bravely to her death.  According to an eyewitness account by British reporter Henry Wales, she was not bound and refused a blindfold.Their is a statue of Mata Hari in Leeuwarden, Netherlands. Fries Museum in Leeuwarden, Netherlands exhibits a "Mata Hari Room". Included in the exhibit are two of her personal scrapbooks and an oriental rug embroidered with the footsteps of her fan dance. Located in Mata Hari's native town, the museum is well known for research into the life and career of Leeuwarden's world-famous citizen. 

Fortunately there are numerous photos of Mata Hari available on the internet. And yes, she was likely a spy but she did inspire many thousands of dancers.

Please support us by visiting our website BellyDance.org


Mata Hari

Mata Hari - 1910

Monday, April 29, 2013

Favorite Part of Belly Dance? I Love it all!


Our first place essay winner is Maria Toddes
*
Picking just one part of the belly dance itself is a daunting task, but when I get in that ‘zone’, I feel perfectly balanced between heaven and earth.  I used to say I felt perfectly ‘bungeed’ between Mother Earth and Father Sky.

I’m a late bloomer as I didn’t discover the beauty and freedom of belly dance until my late 30’s.  Years before I had seen a health program that featured a woman who had lost a significant amount of weight by belly dancing and was now and instructor. That resonated with me and I tucked that in the back of my mind, making a note to myself that I would only join a gym that offered belly dance classes.  Then as luck would have it, I found a health club that offered belly dance for fitness.  Well, let’s just say, that first hour was when ‘the bug’ bit me.  I was hooked.  My husband and daughter have been dancing with me ever since.  We found a show on one of our health channels and watched religiously and practiced on our own. 

Then I started looking for teachers in our area.  I found one who; to this day is probably the most beautiful dancer and human I’ve ever had the privilege to meet.  I jumped in feet first into the deep end.  She taught us beginners the basics, zills and choreography in one block of classes.  I loved it.  I couldn’t get enough.  As I continued to devour every book, dvd and cd of all things even remotely related to my new love – our instructors came and left.  Clearly guided by the Divine; I found instructors that pushed my body and brain passed what I thought I was capable of.  Having suffered from asthma, I had to sit out more than I wanted to.  I pushed through all manner of health issues and in doing so, I’ve made mental and written notes of what kind of teaching style brings out the best in me and what confuses and frustrates me.

We are lucky enough to have a growing sisterhood of the dance in our area.  Most of us know each other at least by face if not by name.  My husband has ribbed me for years telling me I’m ‘no learning, I’m remembering’ – his opinion and I understand why, but I don’t let that come out of my mouth. 

Currently my daughter and I are exploring some fusion.  We’ll never forsake our first love of a more cabaret style, but being well rounded usually serves all who dare to do that. Currently we have on instructor who is into fusion; she’s gorgeous and her spirit lights up any room.  She’s pregnant now and we’re all anxious to see if her delivery is an easy one.  She could still do a belly roll at five months so we’ll see.

My family (hubby too) attend and participate in every Hafla, workshop and now long weekends and intensives we can afford.  Writing this, we are fresh from a well planned and executed Hafla one of our teachers organized.  While I’ve found that each instructor has her/his own style and ways of communication, I wouldn’t trade any one of them or anything.

In my quest to the best dancer I can be, I’ve made dear friends, learned more about sewing than I ever thought possible, but most importantly, have discovered more about myself than I thought was inside me.  I love all parts and aspects of the dance, but I especially love how a dancer who is truly enjoying herself can transform from average to being the most beautiful woman in the room.  That inner light, the shine of her spirit on her face, or in my case, my face is the part of the dance I love the most.  Working and playing with the audience so the dancer transfers some of their enjoyment to the audience – the audience by clapping and the vocalizations, the zaghareet is my favorite noise – gives back to the dancer.  What a lovely exchange.

Just today, I was watching a small troupe, with husband in tow start to get slow and drag, but as soon as they hear the appreciative vocalizations, the smile and twinkle in their eyes returned to their own delight!!

So while I do love a good drum solo, my favorite part of the routine is playing (nicely) with the crowd and as an audience member, I love to smile and try to make the dancer(s) feel as comfortable as I can. 

If I’m not dancing, I’m thinking about it – what can I afford next, where will I leave more and come away with so much information I must write down, lest I forget the precious gems I just learned. 

In conclusion, I love it all; the rich history, the different styles of costuming, the music which commands your body to move.  I can’t tell you how many times I’ve shimmied in the car, pharmacy, waiting in line.  I like to practice a flat footed maya waiting in line- it’s like my little secret.  I don’t care who thinks I’m crazy.  But most of all I love the change of the dancer’s countenance while she’s basically ‘in conference’ with the Divine.

Please Support Us By Visiting Our Website BellyDance.org


Monday, March 4, 2013

The 2 Speed Belly Dancer

Yes, I know you've seen it too. Too many times. Generally it's a symptom of an inexperienced dancer. What are the 2 speeds?  Fast and faster. 

So you're sitting in the audience at a belly dance event and you're watching one dancer after another. A belly dancer comes out on stage and frantically runs through the first part of her routine. Then the slow music comes up and what's supposed to be the slow sensuous part of the dance, the dancer instead moves faster than the music. Sometimes she whips out her veil and almost uses it as a weapon on the audience. Then the drum solo music comes up and she seems to be doing double time even on the fast music.  She ends her routine and runs off stage.  I often wonder if she falls over from exhaustion then drinks a gallon of water. Then you realize that you're exhausted from watching her too.

Well, there's a simple cure for the 2 speed dancer. 

1. Practice the routine a lot before performing it in public. This will give you confidence in the dance and slow you down. 

2. Breathe. Be sure you are breathing properly through out the routine. Don't be afraid to take a slow deep breath during the performance. 

I hope this cures all future 2 speed dancers. 

Suzy Evans

Please support us and visit us at BellyDance.org



Monday, September 24, 2012

Developing Great Stage Presence

Developing great stage presence mostly comes with years of experience performing in front of an audience. 

As I will say here and a million more times practice is what will give you confidence and confidence leads to a great stage persona. 

One of the best things you can do to develop stage presence is to watch and study belly dancers that exude stage presence. Here are some to watch: Delilah, Dalia Carella, Amaya, Katia and Alexandra King.  

You'll notice that they can make the most simple moves so amazingly interesting!  You'll also notice it is their personality shining through their performance.  

And this is one exercise you can work on... get your personality to show up in your performance. 

Practice "moods" for performances.  Dynamic, shy, silly, seductive, aloof, charming, outrageous,,, you get the idea.  Be sure to practice in front of a mirror or tape yourself.  Often times you can practice a mood and find out it's not translating to what you thing it is. You don't want your audience to misinterpret your mood. 

Be careful about that sexy or seductive look, often it just looks like you are pissed off.  Practice that look in a mirror. 

In all performances - smile!  Unless of course you're doing a specific theater piece where it would break character.  You can't beat your million dollar smile!

I would highly recommend Star Power with Amaya DVD to help with your stage presence.  Click Here to check it out. 


I'll write more about stage presence, as it is one of main factors to becoming a star in belly dance. 
Delilah defines great stage presence
Photo from the 2nd Awards of Belly Dance

Monday, July 9, 2012

Top 3 Tips for Belly Dancers

This month's top 3 tips for belly dancers:
1.  Practice free style dance for 15 minutes 3 times a week.  Dance alone and dance purely to the music.    You want to get the music into your head and into your body. 
2. Try a different hair style this month.  It doesn't have to be dramatically different, just take some time and play with your hair.  Add extensions, put a little curl, use a hair decoration, highlights,, you get the idea. 
3. Your feet:  Are your feet noticeable in your dance?  Your feet are what grounds you in the dance but they should not draw attention. Practice this a few times this month: Think about how your movements are drawn up from the ground into your feet and then travel up threw your body.  
Suzy Evans
Please pay a visit to our website BellyDance.org

Beautiful Photo of Mia
by Michael Baxter

Monday, July 2, 2012

Ultimate Belly Dancer Combination DVDs

Ultimate Belly Dance Combinations is a 5 DVD series - almost like a mini-series! 
During a conversation with a friend,  this unique concept and came to me. I had previously produced a couple of combination videos with Ansuya and Ava Fleming. Seeing how popular they were, why not have multiple instructors teach combinations on a single DVD?  And why not make it a series? This would give students of belly dance a good variety of styles of combinations from different teachers.  Some of these teachers had not previously taught on video before, so many students would be exposed to new teachers; an instructor they may have not been familiar with and would not normally would get a chance to take a class from. I called them Ultimate Combinations because... they were!   The first 2 volumes were shot and edited.  The teachers included Sadie, Ava Fleming, Aziza, Amaya, Fahtiem, Artemis, Celeste, Anaheed and Amara. These 2 videos were quickly best sellers.  About 2 years later I added three more volumes with a new mix of dancers: Paulina, Zahra Zuhair, Katia, Aradia, Dondi, Ava Fleming, Celete, and Jamileh. These 3 new DVDs included new styles including some Turkish and some of that classic old-timey 1970s belly dance. Will there be more Ultimate Combinations?  Maybe... we'll see.  In the meantime, if you don't have these DVDs, please consider adding them to your collection.  Here's some links to the DVDs:



Tuesday, May 15, 2012

Sword Face

You must avoid sword face at costs!!  Sword face is that look on your face you get when you are balancing a sword on your head and you're overly afraid it's going to fall off.  
There's only 1 cure for sword face. Before you even think about performing sword work in a performance, you must practice with your sword enough so that you are confident enough that it will not fall off.  Remember - Practice makes perfect....
This will also put your audience at ease and they will enjoy your performance, rather than worrying with you that the sword will go a flying off!
Suzy Evans
Please visit our website BellyDance.org

This is Zahirah.  She never has sword face.

Tuesday, April 10, 2012

Sharing is a Good Thing

If you're like me, you are on many belly dancer's email lists.  And most of us are on FaceBook, Twitter as well as other social sites.  
In this "its all about me" dance, I'd like you to think of others and share your dance sister's information with your friends on FaceBook and elsewhere.  When you get a newsletter you like in your email box, why not share it?  If everyone did this, then you too would reach many more people as your information would also be shared. What comes around goes around. I have been sharing newsletters for some time now on my own FaceBook account. And I can tell you it is appreciated. 
If you as a dancer send out your own newsletter, remember to turn on the "sharing" function, as I often get emails without it and therefore cannot share your newsletter. 
"Sharing" costs you no money but gives you tons of goodwill dividends. 
Just think of all that good Karma coming back to you!
See....kids sharing back in the good ol' days
Suzy Evans   
Visit our website and join our mailing list.  Will ya please?

Monday, January 30, 2012

Keith Drosin Belly Dance Photographs

We are looking for photographs taken by Keith Drosin.  Keith was an amazing photographer who specialized in belly dance photography.  Most of his work was in black and white but there are color photographs out there in the belly dance realm.  IAMED will be adding a gallery to the BellyDance.org website dedicated to his work which will also serve as a memorial to him. He primarily took photos in the areas he lived in - New Mexico and Los Angeles. Keith was one of my photographers at the Belly Dance Awards shows.  He did a number of shoots for me in L.A. and took photos - which have become famous - of belly dancers such as Jillina  and Ansuya.  His photos graced the front of the flyers for the Belly Dance Awards shows since the first show.

My friend Keith Drosin passed away in August 2000, coincidentally on the same day as the 4th Awards of Belly Dance.

While I have a number of his photos, I want the gallery to be as complete as possible. If you or you know of anyone who had their photo taken by Keith, please have them contact me through the BellyDance.org website.  We do not need hard copies, they can be emailed. Please share this post and get the word out.

Thank you,
Suzy Evans
BellyDance.org

Ansuya by Keith Drosin


Friday, December 2, 2011

Hollywood Babylon Anniversary

Its hard to believe:  This week marks the 10th Anniversary of the show Hollywood Babylon. How is it possible that 10 years have gone by?  It seem more like I was there just last year.

Our show Hollywood Babylon happened in December 2001. I would like to share some stories about that show.  It was a special show in many ways, and it stared some great talent.  Sadly, one of those talents will never been seen again in any show.  I'll explain later.

Here's the all star line up: Anaheed, Rania, Anisa's Orientale Beledi Troupe, Marula, Brandi, Dondi, Jillina and the Sahlala Dancers, Marguerite, Leyla and Saharan Silk, Princess Farhana, The Tut Sisters and Mesmera.

We had a combination of live music by Al Kimie and recorded music.  The show was held at the Burbank Center Stage in Burbank, California.  This is the only time IAMED produced a show at this venue.  I'd love to go back and do another show there, but its difficult getting a date locked in because the theatre holds its own productions.

The attendance at the show was not what I expected.  Burbank Center stage has about 200 seats, we filled about 100.  I believe the problem laid solely with the 9/11 attack which had occurred just a few months prior, and this is after all a dance from the Middle East.

Our photographer we hired was asleep at the wheel and most of the photos he took were not useable. Note to photographers: Be sure to always bring a telephoto lens.  Fortunately, Var Daghdevirian saved the day and took most of the photos that you can now view in on our photo gallery.

The show also served as a fund raiser for a local dancer who suffered a heart attack and needed help with her medical bills.  We had a great silent auction with wonderful items that were donated.  Most people in attendance bid on at least 1 item.  I don't recall the amount we ended up raising but it paid a big chunk of her medical bill.

Leyla, the dancer and director of Saharan Silk died in an accident in Hawaii several years after this show occurred.  She had moved to Hawaii and apparently slipped and fell to her death from a cliff.  During her belly dance career she won the Belly Dancer of the Year contest.  She is sorely missed in our community.  In Hollywood Babylon she danced with her newly formed dance company, Saharan Silk. If you watch the video you get a good taste of what she and her dancing was like.  I wish there was more of her performances out there on video.

And of course, what show is complete unless there is a controversy!  It was all about Dondi's costume.  Dondi, who graces the cover of the Hollywood Babylon DVD, was wearing a couture costume.  She bought it during a recent trip to Turkey.  It's very see-through with those few certain areas covered.  Geez... there was a lot of talk about that costume!  A few people were out right offended about the skimpy costume.  I myself, do not care for vulgar, non authentic costumes, but this costume was an authentic costume.  Its quite normal for Turkish dancers (the ones in Turkey) to wear very skimpy, revealing costumes.  Thankfully most people loved the costume and Dondi's performance in it.

Brandi gave us a rare treat with a Moroccan Guerda dance.  Her entourage included dancers and her own Moroccan band.

Jillina and her dance company The Sahlala Dancers put in some truly special performances.  The girls did a beautiful Armenian piece with candles.  Jillina and her dancers performed a pop Bollywood/belly dance number.  These numbers were later used in the Bellydance Superstars shows. 

Jillina put in 2 of the best belly dance performances in her career on Hollywood Babylon.  A superb drum solo and my personal favorite; a taxseem to Om Kalthoum music.  In the later she wore a gorgeous flesh colored couture Egyptian costume. 

Dondi brought down the house performing her now infamous Marilyn Monroe dance.  She perfected this performance just for this show.  Later it also appeared in the Belly Dance Superstars shows. 

Looks like Miles Copeland got ahold of the Hollywood Babylon video and decided to borrow the numbers and talent from this show.  Its certainly not the first or will it be the last time people copy what I produced. 

Marula and her dancers were all wrapped up as mummies and performed an interesting choreography billed as the Tut Sisters. 

Multitalented Marguerite not only turned in a beautiful American Cabaret performance, but she jumped in with the band as its singer. 

And then to top it off we had our very own movie star as our MC.  Lance Henriksen star of Millennium, Aliens, Aliens versus Predator, etc. introduced the performers.  Some of his fans found out he would be there and came to the show to see him. 

These are just some of the stories surrounding the show. I've shared as much as I can remember right now. With all the complications, controversies, etc it stands as one of my most memorable and favorite shows. 

I have put the Hollywood Babylon DVD on sale this month, because I think everyone should have this outstanding DVD.  Most of you were not at the show, but this is the next best thing and it was captured beautifully on video.  A clip of the show can be seen on BellyDance.org site.

See the following links for:
Hollywood Babylon DVD
Photos for Hollywood Babylon
BellyDance.org
Hollywood Babylon Video Clip on YouTube

Suzy Evans
International Academy of Middle Eastern Dance


Monday, November 7, 2011

Free Shipping Now Thru November 15th

Get free shipping on any size order now thru November 15th at BellyDance.org
Use coupon code "shipit" at checkout.

Click Here to start shopping.

Tuesday, November 1, 2011

Do a Little Belly Dancing Every Day

Most of us do not have the time to rehearse and practice belly dance every single day of the year.  However on the days when we are not doing a full rehearsal, take a minute or 2 just to belly dance.

Here are some suggestions:
When you are sitting at a red light practice your zill patterns. You don't actually need the finger cymbals to rehearse the patterns. Use your "air zills".  (get it?)

Belly dance in the bathroom when you are brushing your teeth or doing your hair.

When you are home alone and just bumping around the house, turn on some Middle Eastern music and belly dance from room to room.  Great way to practice traveling steps or combinations.

If you are sitting at your desk looking at FaceBook or whatever, you can practice upper body movements; torso or arms.

You may not want to belly dance out in public on a street corner, as people have been locked up for less. :)

If you have other suggestions leave them in the comments sections of this blog.

Why should you do this?  Lots of reasons.  It gets you thinking about belly dancing, it could lead to more practice, its fun and it will up lift any day. You could turn a bad day around.

Suzy Evans
Please support us by visiting our website BellyDance.org

Here's a lovely photo of Lilla Varese
I bet she belly dances a little every day